Matt Cameron

What Was Matt Cameron's Childhood Like?

Matt Cameron was born and raised in San Diego, California, also growing up in Chula Vista, California. He began playing drums at an early age. At 13, he formed a cover band called "Kiss" (with the word "imitation" written underneath the name in small print). During this stint, he met Paul Stanley. However, after receiving a letter from Kiss's management threatening legal action if they didn't cease their infringement, the band disbanded. Cameron attended Bonita Vista High School. In 1978, under the pseudonym "Foo Cameron", he sang the song "Puberty Love" featured in the movie Attack of the Killer Tomatoes. The nickname "Foo" originated from his older brother Pete, who pronounced Matthew as "Ma Foo".

What is the essence of Matt Cameron's enduring musical legacy?

What was Matt Cameron's musical activity during the early 1980s and mid-1980s?

In 1983, Cameron moved to Seattle, Washington, where he got a job working at a Kinko's. He started his drumming career with Bam Bam, fronted by early grunge lead singer Tina Bell and guitarist Tommy Martin, the parents of Academy Award-winning documentary film director TJ Martin. He then played in the local instrumental band feeDBack with musician Daniel House. After feeDBack, Cameron joined House in 1985 in the newly formed Skin Yard. The band was founded in January 1985 by House and Jack Endino, and Cameron stayed with the group for almost a year. In 1986, Skin Yard contributed two songs to the Deep Six compilation, which showcased the early grunge sound. The band released its debut album in 1986, also titled Skin Yard. Cameron wrote the song "Reptile" for the band, which appears on its first record. Shortly after the release of Skin Yard, Cameron left the band and later joined Soundgarden.

What role did Matt Cameron play in the iconic rock band Soundgarden?

By September 1986, Matt Cameron had gained so much notoriety in the local music scene that he was chosen to play for Soundgarden, replacing drummer Scott Sundquist. Soundgarden was made up of vocalist/guitarist Chris Cornell, guitarist Kim Thayil, and bassist Hiro Yamamoto. Cornell said, "When I first met Matt, he was already the best drummer in town ... He just seemed very confident and well-adjusted." The band signed with the independent label Sub Pop and released the Screaming Life EP in 1987 and the Fopp EP in 1988. In 1988, the band signed with legendary punk record label SST Records and released its debut full-length album Ultramega OK. The album earned the band its first major award nomination, a Grammy Award, in 1990. The band subsequently signed with A&M Records, becoming the first grunge band to sign to a major label. In 1989, the band released its first album for a major label, Louder Than Love. Following the release of Louder Than Love, Yamamoto left the band to finish his master's degree in Physical Chemistry at Western Washington University. He was replaced by former Nirvana guitarist Jason Everman. Everman was fired following Soundgarden's tour supporting Louder Than Love. In 1990, the band was joined by a new bassist, Ben Shepherd. The new line-up released Badmotorfinger in 1991. The album brought the band to a new level of commercial success, and the band found itself amidst the sudden popularity and attention given to the Seattle music scene and the genre known as grunge. Badmotorfinger was nominated for a Grammy Award for Best Metal Performance in 1992. The band's next album was to be its breakthrough. Superunknown, released in 1994, debuted at number one on the Billboard 200 and launched several successful singles, including "Spoonman" and "Black Hole Sun". Cameron's drumming is showcased throughout the album, as he provides the complex backbeat (and plenty of improvisation) to the unusual time signatures present on many of the tracks. The album was nominated for the Grammy Award for Best Rock Album in 1995. Two singles from Superunknown, "Black Hole Sun" and "Spoonman", won Grammy Awards, and the music video for "Black Hole Sun" won a MTV Video Music Award and a Clio Award. Superunknown was ranked number 336 on Rolling Stone magazine's list of the 500 greatest albums of all time, and "Black Hole Sun" was ranked number 25 on VH1's list of the 100 greatest songs of the '90s. In 1996, the band released its fifth studio album, Down on the Upside; while successful, the album could not emulate the precedent set by Superunknown. Tensions within the group arose during the Down on the Upside sessions, with Thayil and Cornell reportedly clashing over Cornell's desire to shift away from the heavy guitar riffing that had become the band's trademark. In 1997, Soundgarden received another Grammy nomination, for the lead single "Pretty Noose". In 1997, the band broke up due to internal strife over its creative direction. In a 1998 interview, Thayil said, "It was pretty obvious from everybody's general attitude over the course of the previous half-year that there was some dissatisfaction." Cameron later said that Soundgarden was "eaten up by the business." On January 1, 2010, Cornell announced on his Twitter that Soundgarden would be reuniting. The official website relaunched soon thereafter. The band had begun recording a new album in February 2011, which was later released in November 2012, known as King Animal. While a member of Soundgarden, Cameron wrote the following songs for the band: "He Didn't" (Ultramega OK), "Jesus Christ Pose" (Badmotorfinger), "Room a Thousand Years Wide" (Badmotorfinger), "Drawing Flies" (Badmotorfinger), "New Damage" (Badmotorfinger), "Birth Ritual" (Singles soundtrack), "Exit Stonehenge" ("Spoonman" single), "Mailman" (Superunknown), "Limo Wreck" (Superunknown), "Fresh Tendrils" (Superunknown), "Jerry Garcia's Finger" (Songs from the Superunknown), "Rhinosaur" (Down on the Upside), "Applebite" (Down on the Upside), and "By Crooked Steps" (King Animal). On November 15, 2013, Cameron announced that he would not be touring with Soundgarden in 2014, due to prior commitments promoting Pearl Jam's album Lightning Bolt.

Is this a 27-year chapter of his career with Pearl Jam?

Here is the rewritten article section body: Almost a year after Soundgarden's break-up, in summer 1998, I was invited by rock-colleagues Pearl Jam to drum on its U.S. Yield Tour after the band's drummer Jack Irons left due to health issues and a desire to spend more time with his family. I had worked with members of the band before on the Temple of the Dog project and had helped them record some early instrumental demos in 1990. Guitarist Mike McCready said, "We knew him from being around the same scene and seeing him on tour. It had a lot to do with it. We knew he was a normal cat too, a normal guy." I learned over 80 songs in two weeks. I was hired on an initially temporary basis, but soon, during the tour, I was invited to become a full-time member. I stated, "The guys made me feel real welcome and it wasn't a struggle to get it musically, but my style was a little bit different, I think, than what they were used to. And they've been through so many different drummers, I don't even know if they knew what they wanted. So, I just kind of played the way I played and then eventually we kind of figured out what worked best for the band." Since joining Pearl Jam, I have written the following songs for the band: "Evacuation", "Save You" (co-written), "Cropduster", "You Are" (co-written, lyrics, music, played rhythm guitar, and sang background vocals), "Get Right" (lyrics and music), "In the Moonlight" (lyrics and music), "Unemployable" (co-written), "The Fixer" (co-written), "Johnny Guitar" (co-written), and "Dance of the Clairvoyants" (co-written). I have also performed on "Take the Long Way" (lyrics, music, played guitar, and sang background vocals). In 1998, Pearl Jam, with me on drums, recorded "Last Kiss", a cover of a 1960s ballad made famous by J. Frank Wilson and the Cavaliers. It was released on the band's fan club Christmas single; however, by popular demand, the cover was released to the public as a single in 1999. "Last Kiss" peaked at number two on the Billboard charts and became the band's highest-charting single. In 2000, the band released its sixth studio album, Binaural, and initiated a successful and ongoing series of official bootlegs. The band released seventy-two such live albums in 2000 and 2001, and set a record for most albums to debut in the Billboard 200 at the same time. "Grievance" (from Binaural) received a Grammy nomination for Best Hard Rock Performance. The band's contribution to the 2003 film, Big Fish, "Man of the Hour", was nominated for a Golden Globe Award in 2004. The band's eighth studio album, the eponymous Pearl Jam, was released in 2006. The band released its ninth studio album, Backspacer, in 2009. Their tenth studio album Lightning Bolt was released in 2013. Their eleventh studio album Gigaton was released March 27, 2020. In May 2022, I was forced to miss my first shows in 24 years since joining Pearl Jam due to testing positive for the COVID-19 virus. Josh Klinghoffer and Richard Stuverud filled in on drums for me.

What other musical projects has Matt Cameron been involved in since 1990?

Along with Cornell, Stone Gossard, Jeff Ament, McCready, and Vedder, Cameron appeared on the 1991 Temple of the Dog album, which paid tribute to Mother Love Bone vocalist Andrew Wood, who died of a heroin overdose at age 24. He has played in two jazz-influenced side projects: Tone Dogs in the early 1990s, and Harrybu McCage, which formed in 2008. He recorded with the Tone Dogs for their debut album Ankety Low Day, which was released in 1990. Cameron also has a fondness for psychedelic garage rock, and his side projects Hater and Wellwater Conspiracy reflect this. Cameron worked with electronic punk act The Prodigy on their album The Fat of the Land, playing on the track "Narayan". He appears on the Gamma Ray 7", which would become the first recorded material by Queens of the Stone Age. Cameron played drums at the band's first show on November 20, 1997, at the OK Hotel in Seattle, however he did not join the band as its drummer. Cameron contributed his drumming on seven tracks considered for The Smashing Pumpkins' 1998 album, Adore, though only "For Martha" appeared on the album. Another studio track, "Because You Are", surfaced on the 2001 B-sides and rarities collection, Judas O. Rumors circulated in the beginning of 1998 that he was considered as a permanent drummer replacement for Jimmy Chamberlin, but Cameron denied this. He has also contributed to various other projects including Eleven's album Thunk, Chris Cornell's solo album Euphoria Morning, Geddy Lee's solo album My Favourite Headache, and Our Lady Peace's album Spiritual Machines. Cameron lent his talents to Submersible Music's DrumCore software and performed with drummers Janet Weiss of Sleater Kinney, and Zach Hill of Death Grips on an all-drum album entitled Drumgasm. In 2020, Nighttime Boogie Association released their first two singles. The supergroup formed by Cameron, Taylor Hawkins, Buzz Osborne and Steven McDonald plans to release more music in 2021. In 2021 Cameron, along with Kim Thayil, bassist Krist Novoselic (Nirvana, Giants in the Trees), guitarist Bubba Dupree (Hater, Void), and vocalists Jennifer Johnson and Jillian Raye (Giants in the Trees) formed the group 3rd Secret. Their self-titled debut album was released in April 2022. Cameron has also been featured on the track Only Love Can Save Me Now on the Pretty Reckless album, Death by Rock and Roll, with both appearing in the video for the song. On July 7th 2025, Cameron announced his retirement from Pearl Jam.

What is Matt Cameron's musical style and what influences have shaped his work?

Cameron was described by Greg Prato of AllMusic as "unquestionably one of rock's finest and most versatile drummers". His style is characterized by creativity, power, and precision, with a tendency not to dominate a song but rather tease out a groove that complements its atmosphere. This approach can be heard in Temple of the Dog's "Wooden Jesus" or Soundgarden's "Mind Riot" and "Applebite". Cameron's time in Pearl Jam has seen his technique mellow to a more modest backing role, supporting the band's straightforward style compared to Soundgarden's more extreme tendencies. Despite his career in rock music, Cameron grew up with musical tastes that were more into jazz, citing progressive rock and hard bop as his primary interests. Keith Moon of the Who is his biggest musical influence. Cameron often revisits the paradiddle pattern for effect, using it to create a driving shuffle on tracks like Soundgarden's "Never the Machine Forever" and Pearl Jam's "Unemployable". He is also known for his use of tom grooves and tribal patterns, as seen in Soundgarden's "Jesus Christ Pose", "Little Joe", "Gun", and "Spoonman". Cameron incorporated open-handed drumming into his playing during Soundgarden's Badmotorfinger period, particularly on tracks like "Slaves & Bulldozers" and the outro of "Rusty Cage". He also used this technique later on Pearl Jam's Superunknown.

What Kind of Equipment Does Matt Cameron Use to Create His Drumming Sound?

Throughout the 80s and 90s, Cameron favored two to three crashes (generally matching 19-inch Zildjian Avedis Rock crashes and eventually Z Customs by Superunknown touring period), an A or K ride of 20 or 21 inches, and 15-inch hi hats with an occasional 10-inch splash or bell. China cymbals were used throughout the '80s but infrequently in the '90s, and were eliminated from his live setup by Badmotorfinger. Even after becoming a full-time member of Pearl Jam, Cameron's cymbal setup did not change radically from his Soundgarden days. Currently, the most noticeable difference is his use of the A and K series as opposed to the heavier Z Custom series. Though Cameron is best known for his use of equipment from California-based Drum Workshop during his initial time with Soundgarden, he used his own Yamaha kit before 1990 when he started using DW, which he later admittedly approached after Yamaha first turned down his endorsement. Most early Soundgarden records up until Badmotorfinger including the Temple of the Dog record were done with an 8000 series kit in a "real wood" finish. By the autumn of 1991, however, Cameron started playing copper gloss finished DW's with 12 and 13-inch rack toms, a 15-inch floor tom, and a 22-inch bass drum with black gloss hoops and a 14-inch knurled steel snare. By 1993 his Superunknown era kit arrived, a black gloss kit with 12, 13, and a 14-inch hanging tom, which Cameron would mount on a snare stand, a 16-inch floor tom and a 24x16 inch bass drum. Cameron revealed in a 1994 interview with Modern Drummer magazine that to greater emphasize the dynamic shift on the song "Like Suicide", both kits were used, the latter having shells both larger in depth and diameter. Superunknown is well known for its huge drum sound and practices such as this brought attention in the drumming world. Other examples include the use of all ride cymbals on "Black Hole Sun" and 3 drummers playing at the same time at the end of "Head Down", being Cameron, Soundgarden bassist Ben Shepherd and drum technician and craftsman Gregg Keplinger. By the recording of 1996's Down on the Upside, and the album's subsequent tour, Cameron endorsed the Canadian custom outfit Ayotte, a company Keplinger had teamed with offering mass-produced steel snares, and soon cohorts and fellow Keplinger fans Jeremy Taggart (Our Lady Peace), Matt Chamberlain (Pearl Jam, session), and Joey Waronker (Beck, Atoms for Peace) joined as well. During the recording of Down on the Upside in 1995 and a short European tour in the middle of making it, Cameron used natural maple finished Ayotte's with wood hoops with 10, 12, and 13-inch rack toms, 16 and 18-inch floor toms, and a 22-inch bass drum, with Ayotte/Keplinger snares or his longtime favorite Keplinger 14x7 stainless steel snare. By the album's official tour in 1996, a new kit with updated OEM hardware made by Tay-e, including bass drum mounted tom mounts, in the same sizes but with dark purple sparkle finish and a 24-inch silver sparkle bass drum was used all the way up to Soundgarden's breakup. Following his hiring for Pearl Jam's U.S. Yield Tour in 1998 Cameron continued using his purple Ayotte kit, which would stay intact for the most part for the next 4 years including touring for Binaural in 2000. All throughout this period Cameron continued using equipment manufactured by DW, including pedals, cymbal stands, and snare stands. Following a corporate mutiny resulting in the resignation of Ray Ayotte from his own company and the subsequent end in partnership with Gregg Keplinger, Cameron switched to Yamaha in 2002, and Cameron's subsequent time with Pearl Jam is notable for his shift away from maple-shelled drums, arguably the most popular drum material for its overall even frequency response and overall melodic tone. Cameron began endorsing and using Yamaha's Birch Custom Absolute drums in a vintage natural finish that year. Compared to maple shelled drums, birch is higher-pitched with a quicker attack and produces fewer overtones. By 2009, he began experimenting with another type of wood, the Yamaha Oak Custom in a black gloss finish with Yamaha Vintage Maple hoops, similar to his old Ayotte's. Oak drums are noted for their additional attack and projection, with a similar fundamental tone to maple. He used this kit through the period of Soundgarden's reformation. In 2018 Cameron returned to maple with Yamaha's Absolute Hybrid Maple in a satin black stain but with stock steel hoops. His current setup continues his longtime use of 12, 13, 16-inch toms, with a shallow 24 bass drum, more specifically 12×8, 13×9, 16×16, and 24×14. He occasionally uses a 14×14 floor tom on his left side and an 18×16 floor tom when not using 14×7 Alex Acuña timbale for certain songs in Pearl Jam. His switches his snares between his various Gregg Keplinger built models and Yamaha productions, varying from copper and aluminum shelled models to discontinued signature snares for David Garibaldi, Roy Haynes, and Steve Gadd. Lately he has also experimented with Kapur shelled Yamaha Club Customs and his Yamaha/Steve Gadd 30th anniversary drum set. He has also used a Yamaha Steve Jordan signature cocktail kit live occasionally.

What's His Life Like Outside the Spotlight: A Look at Matt Cameron's Personal Life?

Cameron married his longtime girlfriend April Acevez on October 25, 1997. Together they reside in Woodway, Washington with their two children: son Ray (born October 25, 1998) and daughter Josie. Additionally, Cameron is an avid runner outside of his music career.

What's on Matt Cameron's Musical Resume?

Soundgarden Ultramega OK (1988) Louder Than Love (1989) Badmotorfinger (1991) Superunknown (1994) Down on the Upside (1996) King Animal (2012) Pearl Jam Binaural (2000) Riot Act (2002) Pearl Jam (2006) Backspacer (2009) Lightning Bolt (2013) Gigaton (2020) Dark Matter (2024) Solo Cavedweller (2017) Gory Scorch Cretins (2023)